Hot on the heals of a successful TV adaptation of Margaret Atwood’s The Handmaid’s Tale comes a Netfilx adaptation of Alias Grace, another of Atwood’s best-selling novels. I’d take any excuse to re-read this excellent book, which is still as good today as it was in 1996. It’s based on the true story of Canadian domestic servant Grace Marks who in 1843, at the age of 16, was convicted of murdering her employer Mr Kinnear and fellow housekeeper Nancy Montgomery. Atwood’s interest in the case go beyond the murder, of course, and into the dark depths of women’s, particularly poor women’s, standing in society; the prejudices held against them, the sexual abuse and innuendo, the back-street abortions and the assumption that they are all liars. An absolutely riveting read.
Our narrator, François Seurel, is the bookish son of a schoolmaster, residing in a provincial French village in the 1890s. Passive and impressionable, he yearns for adventure, but will never be the architect of his own life. When the charismatic adventurer, Augustin Meaulnes, comes to board at his home, Seurel’s life is changed irrevocably. A French classic, often described as the greatest novel of adolescence in European literature, The Lost Estate deserves to be more widely read on this side of the Channel.
Bookstoker Young Readers
What better way to spend a dark October evening than reading a spine-chilling ghost story? Or even reading one aloud to your family? Many of them are short so you don’t need to scare yourself for days on end. We have selected our favourites and, if you want to freak out your children too, we have some for them as well…
Did you know that Leonard Cohen’s song ‘Hallelujah’ took him two years, ‘ 50,000 cigarettes and several swimming pools of whiskey’ (to deepen his voice) to make? Or that ‘Amazing Grace’ was not actually written by a slave but a repenting slave trader. Or that Ronald Reagan used Bruce Springsteen’s ‘Born in the USA’ on his campaign trail, promising that he, just like the song, would make the electorate’s dreams come true, without realising that the song was actually about a Vietnam veteran with post-traumatic stress disorder, unable to find work? Neither did I, until I stumbled upon Cheal and Dalley’s compelling little book The Life of a Song, a compilation of the stories of 50 well-known songs written by music critics. A perfect present to your music loving friend, or even yourself.
The Life of a Song is published by Financial Times and Brewer’s, 208 pages.
Two Muslim families collide in Kamila Shamsie’s Home Fire; one from a wealthy, privileged, political family, the other from Wembley’s poor immigrant community. Eammon, son of British Pakistani Home Secretary, Karamat Lone and his glamorous American designer wife, Terry, falls head over heals in love with Aneeka, orphaned Pakistani girl with Jihadi father and brother. Interesting premise for a story and fertile ground for moral dilemmas and culture clashes. Shamsie keeps the suspense and gripping love story moving at an impressive pace. Shame, then, that the ending feels contrived. I blame it on Sophocles.
Well, here’s something utterly different. A book with a cacophony of 166 different voices portraying the Bardo (a temporary state in between death and re-birth in the Buddhist faith) of President Abraham Lincoln’s 11-year-old son Willie. It’s an unusually structured and challenging book, and a moving portrayal of death and grief (and you’ll never walk through a cemetery at night in quite the same way).
A truly original and brave choice by the Man Booker Prize judges this year. Lincoln in the Bardo is a challenging but beautiful and utterly original novel that deserves to be read. Read our full review here.
4321 is a novel about Archie Ferguson, American grandson of a Jewish immigrant. Born in 1958 to hard-working parents, he grows up, negotiates adolescence, plays baseball, gets to know his extended family, lives through the major events of the 20th century. So far, so predictable. But because this is Paul Auster, there is a twist: this is not one linear narrative; it is four stories, four lives in one. Same boy, four different childhoods, four different paths. Remarkably broad in scope yet fantastically rich and detailed, this is Paul Auster’s post-modern version of The Great American Novel.
The Guardian has made a comprehensive and very useful list of 100 books that have shaped our modern world. Now this might sound unbearably dry to some of you (as it did to me) and there are few beach reads here but the way this list is divided into sub-lists ensures that there’s something for everyone. Have a browse and be inspired. Thank you The Guardian!