In surely one of the most captivating opening scenes in British literature, O Caledonia by Elspeth Barker, takes us to the vaulted hall of a remote Scottish castle. Here, in a crumpled heap on the flagstones, beneath a tall stained-glass window, lies sixteen-year-old Janet, dressed in her mother’s black lace evening dress, and covered in blood. Unloved and misunderstood in life, she has met a ‘murderous death.’ Moonlight filtering through the stained-glass picks out the legend Moriens sed Invictus; dying but unconquered. In Barker’s glorious and darkly funny portrayal of an outsider heroine’s short and intense life, the truth of this proves undeniable.

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