In Catch-22 by Joseph Heller, we find ourselves in the presence of Yossarian, a quizzical and virile man who is serving as a bombardier in the American army, with a tenacious animosity towards flying more missions. Under the command of Colonel Carthart, we are introduced to the amphora of the novel: Catch-22. The single way to be discharged from service in the army is through insanity, though to admit that you are insane shows signs of sanity. Hence, no one will ever be sent home. Overtly or discretely, you can be sure that Catch-22 is haunting you at every turn.
I must admit, I am severely partial to a narrated life-story, which includes twists and turns in the forms of death and romance, transforming the readers into the detectives. The Blind Assassin by Margaret Atwood fulfils this criteria in the most evocative and powerful way. Carefully balanced, the author ensures the novel’s pendulum never swings too far into the excessively-narrative, nor the aloof. With Iris Chase as our narrator, we are invited to re-live the loss of her sister, Laura. This tumultuous story line is interrupted by a novel within a novel: here we are presented with a nostalgic and illusive glimpse into a perilous romance which sings of alacrity.
Mr Ethan Frome still cuts an imposing figure in Starkfield, despite being left ‘but the ruin of a man,’ by a terrible accident some years previously. As mute and melancholy as the wintry New England landscape he inhabits, Ethan stoically shoulders the burden of a cruel past. In Ethan Frome by Edith Wharton, we uncover the story of his joyless existence and his one shot at blazing, beautiful love. An intense and compelling addition to our Classics archive, this certainly isn’t a tale for lightweights.
Is there anything better than a summery read to get you into a sunny mood? Or a summery novel to read on your holiday? To get you into the spirit, we have chosen our top ten summer classics.
In his acclaimed poem Do Not Go Gentle Into That Good Night, Dylan Thomas exhorts us to resist death when it comes knocking, to ‘rage against the dying of the light.’ But did he take his own advice? We find out in The Violet Hour by Katie Roiphe, a curious and captivating look at the end days of five famous writers, namely Dylan Thomas, John Updike, Sigmund Freud, Maurice Sendak, and the seemingly inextinguishable Susan Sontag. Selecting writers who she feels were ‘especially attuned to death,’ albeit in extremely different ways, Roiphe considers whether their personal insights can bring us consolation and courage.
Bookstoker Young Readers
After reading a few contemporary duds, I’ve taken refuge in the haven of mid-20th century American literature and read The Easter Parade by Richard Yates. I adore literature from this era for it’s well-edited, unpretentious yet profound writing and I haven’t been disappointed this time either. We’re in 1930’s New York. Sarah and Emily are sisters and the children of divorced parents Pookie and Walter Grimes. The opening sentence sets the stage: ‘Neither of the Grimes sisters would have a happy life, and looking back it always seemed that the trouble began with their parents’ divorce.’ Expect no happy ending.
I’ve been kept up at night by Matthew Walker’s absolutely riveting Why We Sleep. Walker, a Professor of Neuroscience and Psychology at the University of California, Berkeley and Director of the Sleep and Neuroimaging Laboratory, shares with us his ground-breaking research into sleep in this accessible and entertaining book. And the good news is, I’ll never feel guilty going to bed early ever again!
It’s been a long, strange year and summer holidays can’t come soon enough as far as I’m concerned. Luckily there now seems to be light at the end of the tunnel and some sort of new normality feels within reach. I’ve struggled to find books that excite me lately and have noticed I’ve veered towards lighter reads which should tie in well with some beach reading. Here are the ones that captured my imagination. Happy summer!