A gripping, encompassing, little known play ‘about Africa’. Set amongst a violent uprising and liberation of Africans (in fictional Zatembe), still in the throes of casting off the shackles of white rule, Hansberry’s drama wields a extensive cast of characters from each sphere of the debate, confronting self awareness (or indeed lack thereof), culpability, guilt, anger, retribution and the cost of real freedom. Tightly written and constructed, it examines the meaning of sacrifice, guilt, justification and retribution; definitions of race and racism, of well-intentioned but romanticised notions of empowerment and freedom; and the inevitability and immutability of revolt. All of which she manages to weave with consummate skill into a clattering finale – a phenomenal voice that should be heard more often, even today.