A punch in the stomach is the best way to describe International Booker Prize 2021 winning At Night All Blood is Black by David Diop. We’re dropped right onto a WW1 battlefield where the narrator watches his adopted ‘more-than-brother’ Mademba as he dies a violent, agonising death. The ‘I’ is Alfa, a Senegalese soldier fighting on behalf of France in a war that makes even less sense to him that the ‘blue-eyed’ French soldiers. When war gets the better of him, the racist stereotype of the black man as a savage rears its ugly head.
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Stefan Zweig – Diaries by Stefan Zweig, covering the period from 1931 to 1940, has just been published in English for the first time. Die-hard fans, like me, will want to read this but if you’re new to Zweig’s writing, I’d start with his books or short-stories instead (The World of Yesterday, Twenty-Four Hours in the Life of a Woman or short-story collections). As a companion to his other works, I found this an interesting peek into the author’s mind; as much for the things he doesn’t say as for what he says.
Having just finished Great Circle by Maggie Shipstead, there’s no doubt in my mind that she’s a talented writer. Her metaphors are spot on, her ambitions high and she’s an accomplished storyteller – at times. This Booker Prize long-listed novel about Marian Graves, a female pilot in the early 20th century, takes off with a roar, but seems to stall before it picks up again at the very end. Whether or not you’re willing to go on that 600 page journey I’ll leave up to you. I certainly haven’t given up on Shipstead as an author although this book was a bit of a schlep.
The desperately sad situation in Afghanistan brought back memories of The Yellow Birds by Kevin Powers. Powers is something as contradictory as a machine gunner and a poet, as well as an extremely talented author. A Michener Fellow of Poetry from the University of Texas at Austin, Powers served as a machine gunner in the Iraqi cities of Mosul and Tal Afar in 2004 and 2005. His novel The Yellow Birds, inspired by his own experiences of war, is a superb book, heart wrenching, moving and beautifully written. Read full Review
The World of Yesterday by Stephan Zweig is his autobiography, finished two days before his and his second wife’s joint suicide. It’s a lament for a lost world, a love letter to creativity and artists and an eloquent analysis of events that led up to both the first and the second world wars. The parallels with aspects of our own turbulent times are hard to ignore. Zweig, an Austrian Jew whose wonderful novellas (The Royal Game, Amok, Letter from an Unknown Woman, Twenty-four Hours in the Life of a Woman) many of you will know, was the world’s most popular author in the 1920s and 30s, until Hitler banned his books. Highly recommended.
I shed a tear as I finished The Hummingbird by Sandro Veronesi, an Italian writer whose books keep winning prestigious Italian book prizes. Veronesi’s writing was new to me and that, it seems, has been a mistake. The life story of ophthalmologist Marco Carrera had warmth, humanity, universal truths and provided the perfect holiday read.
On paper, Martha should be happy. She’s a talented writer and married to a man whose love and patience know no bounds. So why is Martha so troubled and in conflict with everyone? And why can she never hold down a job? In Sorrow and Bliss by Meg Mason, we go inside the mind of a woman suffering from undiagnosed mental illness and get to feel the darkness and self-loathing. As devastating as this sounds, Sorrow and Bliss is more than tragedy, Mason’s acerbic wit and portrayal of a sweet on-off love-story make this read more than a sad one.
In Catch-22 by Joseph Heller, we find ourselves in the presence of Yossarian, a quizzical and virile man who is serving as a bombardier in the American army, with a tenacious animosity towards flying more missions. Under the command of Colonel Carthart, we are introduced to the amphora of the novel: Catch-22. The single way to be discharged from service in the army is through insanity, though to admit that you are insane shows signs of sanity. Hence, no one will ever be sent home. Overtly or discretely, you can be sure that Catch-22 is haunting you at every turn.
I must admit, I am severely partial to a narrated life-story, which includes twists and turns in the forms of death and romance, transforming the readers into the detectives. The Blind Assassin by Margaret Atwood fulfils this criteria in the most evocative and powerful way. Carefully balanced, the author ensures the novel’s pendulum never swings too far into the excessively-narrative, nor the aloof. With Iris Chase as our narrator, we are invited to re-live the loss of her sister, Laura. This tumultuous story line is interrupted by a novel within a novel: here we are presented with a nostalgic and illusive glimpse into a perilous romance which sings of alacrity.
Mr Ethan Frome still cuts an imposing figure in Starkfield, despite being left ‘but the ruin of a man,’ by a terrible accident some years previously. As mute and melancholy as the wintry New England landscape he inhabits, Ethan stoically shoulders the burden of a cruel past. In Ethan Frome by Edith Wharton, we uncover the story of his joyless existence and his one shot at blazing, beautiful love. An intense and compelling addition to our Classics archive, this certainly isn’t a tale for lightweights.