After Knausgaard’s My Struggle series of books, Norwegian readers thought we were used to the dramatic repercussions brought on by the thinly veiled autobiographical novel. Then, in 2016, Will and Testament by Vigdis Hjorth’s  detonated like a bomb. Critics claimed to find many similarities between real people and the characters portrayed in the novel, too many for there to be a coincidence. It was clear: Vigdis Hjorth was writing about her own life and her own family. This led to much debate and even sparked a new genre – the ‘revenge-novel’ – when Hjorth’s sister wrote a novel of her own about what it was like to be made into a character in her sister’s book.

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In 2014, when Unquiet by Linn Ullmann was still in the process of being written, the Norwegian writer and journalist was asked by Vogue what she was currently working on. ‘I am writing a memoir’, she replied, ‘or at least I thought it was a memoir. But since my memory is both very vivid and not entirely reliable, it could just as well be a novel.’ At the time, Ullmann was promoting her book Det dyrebare (The Cold Song) in America. The ‘memoir’ she described became the 2015 sensation De urolige, which was recently published in English as Unquiet in a translation by Thilo Reinhard.

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