Fiction

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Lullaby

A psychological thriller about the Mary Poppins from hell

‘The baby is dead. It only took a few seconds.’ The chilling opening line of this hugely hyped thriller about a killer nanny leaves you in no doubt about its horrific ending. And this horrible premise certainly doesn’t make for an easy read. Touted as the next Gone Girl, the first of Leila Slimani’s novels to be translated into English and winner of the prestigious French literary prize, The Prix Goncourt, does Lullaby (American title – The Perfect Nanny) deserve the hype?

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Mrs Osmond

A worthy sequel to Henry James's great classic

Some books just scream out for sequels. None more so than Henry James’s 19th century classic The Portrait of Lady which ends with heroine Isabel Archer facing the choice between going back to her adulterous, deceiving husband or scandalising society by leaving him. Brave is the author who picks up James’s pen and continues his masterpiece, but John Banville does it and, somehow, manages to pull it off.

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Little Fires Everywhere

Clever on the shifting dynamics of family life

The teenage Pearl and her artistic mother Mia move into a rented house owned by a wealthy family in a smarter area of the same Ohio neighbourhood. The lives of both families become entwined in healthy and not‐so‐healthy ways in a deceptively simple tale about motherhood, belonging, responsibility, and standing up for what you believe in.

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We Are Not Ourselves

A heart-wrenching novel about the devastation caused by early-onset Alzheimers

His debut novel took Matthew Thomas a decade to write. Was it worth the ten-year slog? In my opinion, yes. Thomas has simultaneously crafted an intimate story of an ordinary family and an epic of post-war America. Born in 1941, the product of a stormy Irish Catholic working-class upbringing in Queens, New York, Eileen Tumulty craves respectability. Coming of age in the early sixties, she meets and marries a young scientist named Edmund Leary. But while Eileen is deeply aspirational for her family, the quiet, unassuming Ed refuses to give up his teaching for a better-paid job. Eileen dreams of a different life: a better job, a bigger house, more respectability.

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The Moon is Down

A fascinating piece of war time propaganda

The story behind The Moon is Down by John Steinbeck World War II novel is as fascinating as the book itself. Steinbeck, a world famous author by the start of the war, was deeply concerned about the rise of Fascism in Europe. He’d noticed the Fascists’ clever use of propaganda and urged the precursor to the CIA, for whom he worked, to create their own. In 1941, Steinbeck wrote The Moon is Down, which is largely based on conversations with people who’d fled their occupied countries. The book would become one of the most read underground novels of the war, with thousands of copies printed clandestinely in France, Denmark, Norway, Belgium and the Netherlands. Judging by its success, it must have played a role in mobilising resistance and keeping up morale.

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Alias Grace

A chilling true-life murder mystery

Hot on the heals of a successful TV adaptation of Margaret Atwood’s The Handmaid’s Tale comes a Netfilx adaptation of Alias Grace, another of Atwood’s best-selling novels. I’d take any excuse to re-read this excellent book, which is still as good today as it was in 1996. It’s based on the true story of Canadian domestic servant Grace Marks who in 1843, at the age of 16, was convicted of murdering her employer Mr Kinnear and fellow housekeeper Nancy Montgomery. Atwood’s interest in the case go beyond the murder, of course, and into the dark depths of women’s, particularly poor women’s, standing in society; the prejudices held against them, the sexual abuse and innuendo, the back-street abortions and the assumption that they are all liars. An absolutely riveting read.

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The Lost Estate by Henri Alain-Fournier

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The Lost Estate (Le Grand Meaulnes)

A poignant evocation of those feverish days of adolescence

Our narrator, François Seurel, is the bookish son of a schoolmaster, residing in a provincial French village in the 1890s. Passive and impressionable, he yearns for adventure, but will never be the architect of his own life. When the charismatic adventurer, Augustin Meaulnes, comes to board at his home, Seurel’s life is changed irrevocably. A French classic, often described as the greatest novel of adolescence in European literature, The Lost Estate deserves to be more widely read on this side of the Channel.

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Home Fire

When the personal becomes political

Two Muslim families collide in Kamila Shamsie’s Home Fire; one from a wealthy, privileged, political family, the other from Wembley’s poor immigrant community. Eammon, son of British Pakistani Home Secretary, Karamat Lone and his glamorous American designer wife, Terry, falls head over heals in love with Aneeka, orphaned Pakistani girl with Jihadi father and brother. Interesting premise for a story and fertile ground for moral dilemmas and culture clashes. Shamsie keeps the suspense and gripping love story moving at an impressive pace. Shame, then, that the ending feels contrived. I blame it on Sophocles.

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Lincoln in the Bardo – Man Booker Prize Winner 2017

Party down at the cemetery

Well, here’s something utterly different. A book with a cacophony of 166 different voices portraying the Bardo (a temporary state in between death and re-birth in the Buddhist faith) of President Abraham Lincoln’s 11-year-old son Willie. It’s an unusually structured and challenging book, and a moving portrayal of death and grief (and you’ll never walk through a cemetery at night in quite the same way).

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4321 by Paul Auster

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4321

The Great American Novel, but not as you know it

4321 by Paul Auster is a novel about Archie Ferguson, American grandson of a Jewish immigrant. Born in 1958 to hard-working parents, he grows up, negotiates adolescence, plays baseball, gets to know his extended family, lives through the major events of the 20th century. So far, so predictable. But because this is Auster, there is a twist: this is not one linear narrative; it is four stories, four lives in one. Same boy, four different childhoods, four different paths. Remarkably broad in scope yet fantastically rich and detailed, this is Paul Auster’s post-modern version of The Great American Novel.

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