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We’re here to help you find that book that you can’t put down, the book you’ll push on all your friends, the book that’ll change your life.
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A world of bookish delights!
Kirstin and Julie
Anyone who loved the novel Matrix—a book I still think about—will leap at newly published short-story collection Brawler by Lauren Groff. Groff’s incredible range is on full display in this engrossing collection. We travel from the East Coast to Southern California, from Boston aristocracy to Los Angeles trailer parks. The settings vary, but the family troubles remain the same, as does the capacity for both good and evil.
Wow! What an incredible collection of short stories. I gobbled them up in one sitting, moved, shocked and spellbound. Parental love, grief, guilt and rejection echoes through the tales of Good and Evil and Other Stories by Samanta Schweblin, each with a surprising, original twist. Highly recommended.
Designed to provoke shock, discomfort, and debate, A Sunny Place for Shady People by Mariana Enriquez is a new collection of short stories from the Argentinian queen of Latin American Gothic. Enriquez’s macabre tales centre around the very notion of haunting, be it literal, or a manifestation of psychic or societal trauma. From one woman’s infatuation with her surgically removed fibroid to a community of birds who were once unruly women, Enriquez interweaves mythology, history, and the darkest imaginings, in her exploration of horror and humanity.
An offbeat and lovely addition to the world of short story collections, Dead-End Stories by Banana Yoshimoto is, in essence, a tribute to hope, light, and resilience. The women in each of her five stories experience episodes of emotional pain or trauma, from the extremes of abuse and murder, to the heartbreak inflicted by an inconstant lover. In Yoshimoto’s tender hands, ultimately these events will not be allowed to warp and embitter, as each character is set on a path towards acknowledgement of life’s random cruelties and a final blessing of solace and clarity.
Anyone wary of short stories should put their doubts to rest and dive into the utterly magnificent Table for Two by Amor Towles. I’ve been chuckling through his stories which range from a neurotic wife convinced her husband is having an affair to a Russian peasant turned opportunistic capitalist by the Russian revolution; from a high-strung Goldman Sachs banker suspicious of a fellow concert goer to the incompetent aspiring author whose skills at forging puts him on a new career path and many more. Once again, Towles’ superb storytelling skills shine.
Short stories and I don’t always get along but Things We Lost in the Fire by Mariana Enriquez turned out to be an exception. All set in Enriquez’s native Argentina, the stories usually start out in pretty innocuous domestic settings only to veer into something far darker and more troubling. Often set in impoverished slums we encounter corrupt police officers, mysterious disappearances, human bones emerging from the ground, brutal murders, self-harm and apparitions of people long gone. There are some pretty gruesome details in these stories but thanks to Enriquez’s skills as a writer it doesn’t feel like gratuitous violence, but rather a portrait of a people and a country still living in the shadows of its bleak past.
This is a beautifully produced scholarly edition of 18 of Fitzgerald’s short stories, none published in his lifetime. Varying in length from three pages to thirty, these stories are peopled not so much with the glamorous but damaged Jazz Age characters familiar to us from his novels but with a poorer, sadder, post-Depression cast including drunks, travelling salespeople, hypochondriacs, divorcing couples, movie producers, starlets, has-beens, and – overwhelmingly – the unwell. The best of these stories glitter with the author’s wit and familiar ability to demolish a character’s pretentions in a sentence. The others, more plodding, will appeal nevertheless to Fitzgerald fans for the light they shine on his preoccupations and problems, and for the glimpse they afford into the seedier side of 1930s small-town American life.
