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We’re here to help you find that book that you can’t put down, the book you’ll push on all your friends, the book that’ll change your life.
We read literary fiction, non-fiction, classics and children’s books, all genres and styles embraced in our aim to share the love. You’ll also find fabulous Bookstagrams and literary news.
A world of bookish delights!
Kirstin and Julie
In an early chapter of Beautiful World Where Are You by Sally Rooney, acclaimed novelist Alice considers the burden of life under public scrutiny, the vampiric nature of contemporary media sparking loathing both inward and out. It looks very much like an auto-fictional interlude for the stratospherically successful Rooney, under pressure to deliver the goods with her third novel.
Having just finished Great Circle by Maggie Shipstead, there’s no doubt in my mind that she’s a talented writer. Her metaphors are spot on, her ambitions high and she’s an accomplished storyteller – at times. This Booker Prize long-listed novel about Marian Graves, a female pilot in the early 20th century, takes off with a roar, but seems to stall before it picks up again at the very end. Whether or not you’re willing to go on that 600 page journey I’ll leave up to you. I certainly haven’t given up on Shipstead as an author although this book was a bit of a schlep.
The desperately sad situation in Afghanistan brought back memories of The Yellow Birds by Kevin Powers. Powers is something as contradictory as a machine gunner and a poet, as well as an extremely talented author. A Michener Fellow of Poetry from the University of Texas at Austin, Powers served as a machine gunner in the Iraqi cities of Mosul and Tal Afar in 2004 and 2005. His novel The Yellow Birds, inspired by his own experiences of war, is a superb book, heart wrenching, moving and beautifully written. Read full Review
Considering its description by Thomas Mann as one of the six most significant novels ever written, and rumoured to have moved Samuel Beckett to tears on even his fourth reading, Effi Briest by Theodor Fontane remains a remarkably little known novel outside of its native Germany. Set in 1880’s Prussia, Effi treads the well-worn path of the nineteenth century literary heroine. As an unworldly young woman in a status obsessed male-dominated world, her story tells of a stifling marriage of convenience. Prepare for adulterous downfall and a classic interpretation of the expression ‘pistols at dawn.’
On paper, Martha should be happy. She’s a talented writer and married to a man whose love and patience know no bounds. So why is Martha so troubled and in conflict with everyone? And why can she never hold down a job? In Sorrow and Bliss by Meg Mason, we go inside the mind of a woman suffering from undiagnosed mental illness and get to feel the darkness and self-loathing. As devastating as this sounds, Sorrow and Bliss is more than tragedy, Mason’s acerbic wit and portrayal of a sweet on-off love-story make this read more than a sad one.
In Catch-22 by Joseph Heller, we find ourselves in the presence of Yossarian, a quizzical and virile man who is serving as a bombardier in the American army, with a tenacious animosity towards flying more missions. Under the command of Colonel Carthart, we are introduced to the amphora of the novel: Catch-22. The single way to be discharged from service in the army is through insanity, though to admit that you are insane shows signs of sanity. Hence, no one will ever be sent home. Overtly or discretely, you can be sure that Catch-22 is haunting you at every turn.
I must admit, I am severely partial to a narrated life-story, which includes twists and turns in the forms of death and romance, transforming the readers into the detectives. The Blind Assassin by Margaret Atwood fulfils this criteria in the most evocative and powerful way. Carefully balanced, the author ensures the novel’s pendulum never swings too far into the excessively-narrative, nor the aloof. With Iris Chase as our narrator, we are invited to re-live the loss of her sister, Laura. This tumultuous story line is interrupted by a novel within a novel: here we are presented with a nostalgic and illusive glimpse into a perilous romance which sings of alacrity.
Mr Ethan Frome still cuts an imposing figure in Starkfield, despite being left ‘but the ruin of a man,’ by a terrible accident some years previously. As mute and melancholy as the wintry New England landscape he inhabits, Ethan stoically shoulders the burden of a cruel past. In Ethan Frome by Edith Wharton, we uncover the story of his joyless existence and his one shot at blazing, beautiful love. An intense and compelling addition to our Classics archive, this certainly isn’t a tale for lightweights.
In his acclaimed poem Do Not Go Gentle Into That Good Night, Dylan Thomas exhorts us to resist death when it comes knocking, to ‘rage against the dying of the light.’ But did he take his own advice? We find out in The Violet Hour by Katie Roiphe, a curious and captivating look at the end days of five famous writers, namely Dylan Thomas, John Updike, Sigmund Freud, Maurice Sendak, and the seemingly inextinguishable Susan Sontag. Selecting writers who she feels were ‘especially attuned to death,’ albeit in extremely different ways, Roiphe considers whether their personal insights can bring us consolation and courage.
After reading a few contemporary duds, I’ve taken refuge in the haven of mid-20th century American literature and read The Easter Parade by Richard Yates. I adore literature from this era for it’s well-edited, unpretentious yet profound writing and I haven’t been disappointed this time either. We’re in 1930’s New York. Sarah and Emily are sisters and the children of divorced parents Pookie and Walter Grimes. The opening sentence sets the stage: ‘Neither of the Grimes sisters would have a happy life, and looking back it always seemed that the trouble began with their parents’ divorce.’ Expect no happy ending.
