...something thrilling

The Blind Assassin by Margaret Atwood

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The Blind Assassin

A gripping twist and turn love story

I must admit, I am severely partial to a narrated life-story, which includes twists and turns in the forms of death and romance, transforming the readers into the detectives. The Blind Assassin by Margaret Atwood fulfils this criteria in the most evocative and powerful way. Carefully balanced, the author ensures the novel’s pendulum never swings too far into the excessively-narrative, nor the aloof. With Iris Chase as our narrator, we are invited to re-live the loss of her sister, Laura. This tumultuous story line is interrupted by a novel within a novel: here we are presented with a nostalgic and illusive glimpse into a perilous romance which sings of alacrity.

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The Underground Railroad

American slavery with a twist – one of my best reads this year

At the beginning, The Underground Railroad by Colson Whitehead feels like a typical American slave novel (think Beloved, The Polished Hoe, 12 Years a Slave and Roots) with horrifying details of physical and sexual abuse and a particularly evil plantation owner. Whitehead has a surprise in store for us, though, and that’s what makes this novel so original and intriguing.

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The Lamplighters by Emma Stonex

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The Lamplighters

A captivating mystery set on a Cornish lighthouse

Arthur, Bill and Vince are the lighthouse keepers on The Maiden Rock, a remote lighthouse that rises from the sea off Land’s End. One night in 1972 they all go missing, leaving two clocks stopped at the same time, a log describing a storm that never happened, a meal set for two and the door locked from the inside. The case is never closed. Twenty years later a writer sets out to investigate what really happened, by interviewing those left behind and trying to piece together what evidence remains. The Lamplighters by Emma Stonex is a beautifully evocative tale of loneliness, loss and misunderstanding.

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The Devil and the Dark Water by Stuart Turton

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The Devil and the Dark Water

Pure unadulterated entertainment

Readers of this blog might have noticed that I have a soft spot for novels set on sailing ships. The wilder the storms and the longer the journeys, the better, so when I came across the recently published The Devil and the Dark Water by Stuart Turton, I wasn’t hard to convince. Set in the 17th century on a ship crossing from Batavia (Jakarta) to Holland, Turton’s book is packed with wild storms, betrayals, demons, murders and a plot to make your head spin. If you enjoyed Ian McGuire’s The North Water or indeed Turton’s last book The Seven Deaths of Evelyn Hardcastle, this book will be for you.

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We Have Always Lived In The Castle by Shirley Jackson

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We Have Always Lived in the Castle

An American house of horror

I’m finding that bitesized, escapist fiction suits my concentration levels these days and We Have Always Lived in the Castle by Shirley Jackson, perfectly fits the bill. The story of two mysterious sisters living with their ailing uncle in a grand, ivy-covered Vermont house is unsettling from the word go. We Have Always Lived in the Castle was Jackson’s – the American queen of ghost and horror stories – last and, many think, best novel.

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American Dirt by Jeanine Cummins

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American Dirt

A troubling page-turner

Sixteen people at a family birthday party are mowed down by gunmen in the shocking opening scene of American Dirt by Jeanine Cummins. The sole survivors, Lydia and her 8-year-old son Luca, flee towards ‘el norte’ with Acapulco’s most feared narco baron, Javier Crespo Fuentes, and his henchmen at their heels. Sounds like an action film? Yep. And that’s both the appeal and the trouble with this gripping Mexican refugee novel.

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Rebecca by Daphne du Maurier

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Rebecca

An extraordinary psychological thriller

Can’t think of a better escape right now than the 1938 novel Rebecca by Daphne du Maurier, a glorious cocktail of jealousy, obsession, opulence and mystery. Our modest, unglamorous heroine works as a companion to a well-healed woman on holiday in Monte Carlo. There she meets the wealthy, dashing widower Max de Winter and an unlikely relationship begins. They marry and return to Manderley, de Winter’s palatial estate in England, where the ghost of de Winter’s dead wife Rebecca and the ghoulish housekeeper Mrs Danvers rule. An extraordinary psychological thriller.

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The Testaments by Margaret Atwood

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The Testaments

Book of the year or not?

Unless you’ve been living under a rock, you’re probably aware that The Testaments by Margaret Atwood, the sequel to The Handmaid’s Tale, was published a few weeks ago. The dystopian The Handmaid’s Tale was a game-changer when it came out in 1985, painting a terrifying picture of a totalitarian society in which women had been reduced to birthing machines. The arrival of Trump and religious extremism propelled the book back on the best-seller lists and inspired Atwood to write a sequel. Any follow-up to a brilliantly conceived, ground-breaking creation is a tall order and as much as I found this book an interesting, page-turner (always the case with Atwood, in my opinion), it also feels like a slightly paler version of The Handmaid’s Tale.

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The Porpoise by Mark Haddon

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The Porpoise

A nail-biting literary joyride

Two pages into The Porpoise by Mark Haddon (The Curious Incident Of the Dog in the Night Time) I was utterly hooked and only emerged bleary-eyed a day later after what felt like a roller-coaster ride. The book interweaves a contemporary story with one from antiquity, and whereas that might turn some of you off, it really shouldn’t. The Porpoise is first class, breakneck paced storytelling. A sort of literary Mission Impossible.

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The Seven Deaths of Evelyn Hardcastle by Stuart Turton

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The Seven Deaths of Evelyn Hardcastle

An engrossing murder mystery unlike any you’ve ever read before.

Set in a crumbling gothic mansion at the edge of a forest on the night of a glittering ball, a beautiful young woman is about to be murdered. Using established tropes from 1920s murder mysteries, The Seven Deaths of Evelyn Hardcastle by Stuart Turton, winner of the Costa First Novel Award 2018, is a very modern take on the genre. It’s an intricately plotted, disorientating, dark and immersive read that will keep you guessing right until the end.

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